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Friday, July 25, 2014

गथांमुगः चर्हे .GATHAMUGA - End day of the devil with fun

Celebrating Gathamuga 
Gathemangal festival is filled festival of the Newar of Kathmandu Valley.
The festival of Gathemangal is celebrated in the memory of mythical demon Ghantakarna’s death. Also known with the name ‘Gathamuga’ and ‘Ghantakarna’ or 'Gathemangal', this is the day of driving out bad spirits from our home. Effigies (Dummies) of evil creatures are made and burned amidst fanfare in a symbolic end of their reign. Offerings are also placed at crossroads around localities on the occasion. This is गथांमुगः चर्हे!

Ghantakarna festival is a Newar festival in Nepal. It is observed during the month of July/August and after rice plantation. This festival marks the beginning of several other festivals of Hindu and Buddhist in Kathmandu.
Gathamuga-symbol of the devil as straw effigies.

On the day of Gathamuga effigies are made in every quarter of the town. In Sankhu, they are known as bhu-dyo, the ghost god. These effigies are made voluntarily by the people of the quarter, but in a few cases they are made by a Bhu dyo-guthi. They are made from reeds and a plant called bijaha. On the top, an old clay vessel, used for roasting grain (bhajan), is put at its head and a face is drawn on it. Each quarter makes at least two effigies. On this occasion, the quarters are divided into two sections to fulfill the duties of making the effigies.

Each household has to chase ghosts out of their houses. This is done by removing the old cow dung attached above the doors of their houses in the previous year in order to prevent intrusion of a ghost, and at the same time attaching a new piece of cow dung and a piece of flower called bhusvam at the same spot. The old cow dung is carried away on a plate together with some broken beaten rice, the bhusvam flower to be disposed of in front of the effigy of a bhu-dyo. Usually, a woman of the household accomplishes this task. When she walks towards the bhu-dyo, she carries some straw, which she burns just in front of the main entrance of her house (pikhalakhu). Then, she walks towards the effigy of the bhu-dyo, where she disposes of the things she carries. When she approaches the effigy, people start shouting at her linking her to the bhu dyo. She is associated with the bhu-dyo. Depending on her age; if she is young then the daughter of the bhut, if she is old she can be called a grandmother, mother-in-law, daughter-in-law of the bhu-dyo. If there is no woman in a house, a man may carry out the task. In such a case, he will hear similar male names from the crowd. Superficially speaking, this kind of expressions are only to tease people, but it clearly indicates that human beings are also the relatives of the evil spirits or ghosts and they too may be evil like some of the ghosts.
Within half an hour all the households of the area finish presenting foods to the bhu-dyo. Then the effigy is dragged away from the quarter to be thrown outside one of the eight gates of the town. Only men follow the bhu-dyo. Especially young boys follow the effigy beating it with sticks. Before they return to their homes, they have to visit one of two ponds located in Sankhu to take a holy bath or to sprinkle the water of the pond over their bodies to purify themselves, so that no ghosts or spirits follow them to their homes. One pond is located at Pukhulachi quarter and another is located at the Mahadev temple complex.
Effigies of Gathammugah are dragged away, symbolizing the expulsion of evil spirits from the town. In Kathmandu, together with an effigy, a Halahulu, a person from the lowest Newar caste represents Gathammugah. He sits on the top of the effigy when it is dragged away to throw into a nearby river. In Sankhu however, human representation is absent.

People in Sankhu believe that offering food to Gathammugah and dragging away them from the localities remove evil spirits, diseases and all sorts of dangers away from every household, quarter, and town so that people can live peacefully.
Moving for being burn.
Other occasions in Sankhu to appease such invisible dangerous spirits are the days of bau-holegu on different occasions of the year; the night of Bauyah during the festival of Vajrayogini; the eighth and ninth nights of Yamlaga Asṭami and Navami; the sword procession on the tenth day of Mohani, and on the night of Sillacarhe.
Rally of fire-straw
Newars'festivals startfromGathanmugah and ends in Sithi Nakhah. Therefore GathanMugah is also known as Kayahmacha Nakhah ( the son festival) and Sithi Nakhah is also known as
Mhayamacha Nakhah (the daughter festival) in
Newar culture. No festival is observed in
between Sithinakhah and Gathan Mukhah as
the farmers are busy in their work at that
time. The festivals celebrated by the Newars are related to their places and lives. Thus through the festivals observed by the Newars, one can know many things about them. One of the most important aspects of annual Newar rituals is the worship and the offering of foods to ghosts (bhut-pret) to pacify evil spirits.


Gathammugah Chare is a festival dedicated to the ghost god (bhu-dyo). Many Newar people take this day to be the beginning
of the ritual year. This is also the day that marks the beginning of playing musical instruments, rehearsing dances, and dramas. Though all Newars celebrate Gathammugah the way of celebrating it in each Newar settlement may vary. The ghosts are considered to be benevolent creatures who take care of the farmers’ homes and fields if they are appeased properly.


It will be interesting to note that in Kathmandu, the farmers throw bau twice a year: on the day of Aksayatritiya and on the day of Gathammugah to appease the ghosts. The former act to invite the ghosts to the town so that the ghosts can take care of their homes during the time the farmers are busy with sowing and transplantation in their fields. The latter one is to drive away from the ghosts to the fields so they can look after them as the farmers are returned home after finishing the rice transplantation.
Being burnt at Tachapal tole, Bhaktapur.

Tuesday, July 15, 2014

HAKU PATASI - Newar Community Typical Female Costumes.


Haku Patasi
The word 'Haku Patasi' is composed of two Newar or Nepal Bhasa words: 'Haku' meaning 'Black' and 'Patasi' meaning 'Sari'. It is one of the traditional costumes of Nepali culture and the representative of Newars' ethical dressings. It is made of local household cotton grown in different places surrounding Kathmandu valley. Thus, Haku patasi is a black sari with red or green borders decorated on the sides, worn by Nepali and Newar women living in and around Kathmandu valley. The color of borders on Haku Patasi differs as per the regions within the valley; i.e red borders denote to Haku Patasi from Bhaktapur, while green borders are signs from Kathmandu.
Newa maicha (girl) on HAKUPATASI - 
a typical Newar costume.
Haku patasi (black sari) bears a very different and unique identity than regular saris and dhotis worn by Nepali females. Haku patasi is usually heavier, and always black in color, sari with red border lined on the sides. Haku Patasi is worn without wearing a petticoat (skirt worn inside the sari).
This sari is worn from the waist to the calves and does not cover ankles as generally other saris do. Newar ladies and Newar girls living in Kathmandu valley and its vicinity, wrap Haku Patasi around their waist and tie Patuka just like a belt.

Embroidered Patu

Patuka, usually called 'Jani' in Nepa Bhasa (Newar language), is a white long piece of cloth which is wrapped around the waist for holding the sari in the form of a belt. Usually, patuka is 12 hands (about 18 feet) long. Patuka, is now available in different designs embroidered to enhance the Haku patasi. 

A full-sleeved blouse tied at four different corners usually called 'Chaubandi cholo' in Nepali and 'Thana tagu kapoya naun or Putu naun' in Nepal bhasa (Newar language)  or ' a cloth made of handwoven threads' is worn as top above the Patasi. Over the cholo, 'a shawl made of Dhaka' or 'Haku Gacha'  is worn. People from Bhaktapur put on a white shawl and on the other hand, people from  Lalitpur wear green shawl; showing a variation in culture within the same culture.

Different types of jewelry are also worn along with Haku Patasi. Some of the jewelry is Loonswan - a gold plated ornament worn in the center of the head with designs all over with an image of Lord Ganesh in the middle.
Kalli,Bangale, Loonswan&Nyapu sikha, Tayo , Kilip and Makansi (Earing)

Newar women wear a gold necklace known as Tayo Ghau and a golden pendant with stones joined to the necklace with the Haku Patasi. Kilip is worn at the back of the head that holds together the hair.Teek Ma is another elaborate piece worn on the head. Teek Ma has many small strings attached to a point and is worn on the side.
Besides these, some of the common ornaments are Patachin shikha (simple gold necklace), Company shikha (a necklace made of coins), and Bhimpuma (a necklace made of coral). Along with all these ornaments, the earrings worn is u-shaped and is called Makansi. Gold rings in figure and bangles are worn in hands. And Kalli (usually made of silver) is also worn around the ankles






Importance of Haku Patasi in Newar Culture

The color of Haku Patasi itself represents a cultural and historical association with Newar traditions. The bottom red lines of the sari are the sources of power givings to the mighty Goddess Mahakali, as said in Newar folklore. Thus, Haku Patasi is not only a dress, but it also symbolizes the power of women in society. 

However, with modernization and western influence, the trend of wearing Haku patasi has reasonably degraded in daily life. But at the same time, its significance nowadays has increased its value among the community people. Haku Patasi has become the most important part of every Newar jatras, celebrations, and functions. Newar women are accustomed to wearing Haku patasi during specific festive such as Gai Jatra, Buranjya, etc. inclusive of the performance of some death ceremonies. Newar women, girls, and even female kids are dressed in Haku Patasi with the red handmade cotton shoes, called Chatti.

How to wear Haku Patasi?

Putting on Haku patasi is similar to wearing as other saris; except for that it is worn without a need of petticoats. Haku patasi is wrapped around the upper hip of the body, as done in wearing other saris.
Here are the steps of putting on Haku patasi:
1. Wrap Haku Patasi around the waist.

2. Make knots from the end of Patasi by folding the parts where the left and right sides of the sari meet.


3. Make as many plates (mujaa) as necessary as per the length of the Patasi, as similar in other saris. More plates are preferable because of the absence of petticoat.


4. Tuck folded plates inside the wrapped part of around the waist, right below the navel.


5. Wrap Jani (Patuka) around the waist to make sure that Patasi does not fall off.


6. The remaining parts of Patasi can be wrapped on top of Jani, or waved off the shoulder by creating a long tail.