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Tuesday, April 29, 2014

Happy mum"s day-the world strongest person.

Ma(n) yagu khwa swaegu: Honoring Mothers 

The last day of the dark fortnight, the new-moon day, is called Ma(n) ya khwa: swaegu, literally "looking at mother's face." This, like a later parallel day for fathers , involves all Kathmandu Valley Hindus and Buddhists. People whose mother has died more than one year previously and who are thus beyond the first year's period of mourning and commemorative ceremonies go, if at all possible, to join other Nepalese at a pilgrimage site, Mata Tirtha, which is two adjoining ponds about six miles to the southwest of Kathmandu. They do a commemorative ceremony, a sofa sraddha , with, for well-to-do farming and upper-level thar s, assistance from their family priest. An offering of food is given to their family Brahman as a special offering, a dana , for the mother. If unable to go to Mata Tirtha, people will bathe and make their offerings at a tirtha at the river in Bhaktapur itself.

Those whose mothers are living return to their mother's home, to "see their mother's face." The mother is worshiped as a deity. Men and women, boys and girls, bow their heads to their mother's feet, then wash them, and place offerings of small coins on them. In some thar s the worshipers take some of the water that has been used to wash the feet and drink it as prasada , which, as we have noted in our discussion of cipa , polluted food, dramatically symbolizes the worshiper's dependent and incorporated relationship to the mother and thus her continuing responsibility to them. Children who have left home try to return on this day, bringing with them offerings of sweet-cakes, curds, eggs, and swaga(n) . The mother returns some of these offerings to her children as prasada . If their mother is not living people on this day may offer beaten rice and sweetcakes to the wife of their family purohita . After a series of festivals devoted to dangerous deities this day returns to the household, with its benign deity—here the deified mother. The emphasis again is on the inside of the household, and the reaffirmation of its internal relations against an opposing theme of loss and death.

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